By Wittmann Heiner
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Extra resources for Aesthetics in Sartre and Camus. The Challenge of Freedom (Dialoghi Dialogues: Literatur Und Kultur Italiens Und Frankreichs)
Wahrheit und Methode (= Gesammelte Werke, Bd. 2), Erganzungen, Register, Tubingen: J. C. B. Mohr (Paul Siebeck) 2 1993, p. 3-23, p. 7 The smaller the author's influence, even when writing the work, and the more independent the words become that instruct readers in how to continue the work on their own, the better the book will be and the more its influence will grow. 8 This insight is presented as the logical conclusion of earlier observations. The work is only completed by being read, and therefore every artistic and literary work becomes an invitation to the reader and spectator.
E. the desire to transcend a situation. In his review of Giraudoux's "Choix des elues"12, Sartre portrayed transcending as a continual choice: in Giraudoux's case the people were not dependent on predestination; on the contrary the author shows them in confrontation with their destiny. In doing so he succeeds in revealing the nature of a human being as something that comes into being through actions. The message of it is understood. " (Translated by C. Atkinson). 7 Cf. , p. " 8 Cf. , p. 39-41. 9 "Reading" and "Writing" are the headings in Sartre, Words.
Sartre, What is Literature? 3. The work and its readers Sartre's theory of literature, with which he repeatedly and explicitly objected to every form of the "l'homme et l'ceuvre" method forms the basis of his portraiture technique, connecting as it does practical analysis with theoretical reflections. He presented his theory of literature in What is Literature? It is closely connected with his basic philosophical ideas. Just as his early philosophical works influenced his literary works, the latter served again and again as an opportunity to continue developing his theoretical works.
Aesthetics in Sartre and Camus. The Challenge of Freedom (Dialoghi Dialogues: Literatur Und Kultur Italiens Und Frankreichs) by Wittmann Heiner